Works on new realism in the art of the fourteenth century are found in the paintings of Giotto, the writings of Chaucer, and the art of manuscript illumination.
Giotto's "new realism" highlighted its humanity by paying close attention to the little things. His figures were depicted in three dimensions through motions, gestures, and intricately detailed attire and furniture. His human beings are at the heart of his stories, despite the fact that they were devoted to Christ.
What could be referred to as Chaucer's "serial description" is a charming part of his realism. Other authors would group a character's characteristics into categories and then list them in a logical order, such as physical, psychological, and moral. Chaucer frequently acted in opposition. He followed where his ideas took him.
An example of realism in the art of manuscript illumination is The Taccuinum Sanitas. The Taccuinum Sanitas was a "book of reason" that featured a brief text and several drawings of simple subjects that were painstakingly rendered, much like the Biadaiolo in Florence.
The book currently in Paris is one of the Lombardy-written versions of this masterpiece (Bibliotheque Nationale). This features images of tailors at work and butter salesmen hawking their wares. The reality of intimate detail is potent and crucial, thus one imagines that only this kind of depiction impressed the painters working in Paris at the time.
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