Answer :
In the given question, the painter painted Napoleon sitting on a throne which showed red velvet cape, lace collar, holding a gold staff, carpet, items reflecting light.
These things are immediately distinguishable in the paintings since the painter expertly crafted the texture's optical illusion.
Although the texture is difficult to see in a painting, it is simple to identify in clothing and flooring.
As the painter attempted to impose the imperial might, the skill and use of texture are effective in making the picture appear more genuine.
What about the painting of napoleon sitting on a throne?
The picture of Napoleon Bonaparte was Ingres' second of the French emperor and is one of the most well-known depictions of him. The official commission to paint Napoleon wearing one of the many different Coronation robes that the Emperor wore during the "Sacre" at Notre Dame de Paris in December 1804 was given to Jean-Auguste-Dominique Ingres (1780-1867), a promising young student of David. The portrait shown here is noticeably more symbolic and formulaic than the earlier portrait he had created of the First Consul. Who specifically commissioned the sculpture is unknown.
Why was Napoleon Usually Painted with A Hand in His Coat?
It is not surprising that the gesture took on a particularly haughty tone as Napoleon's reputation began to decline due to a gently arched postural inclination. The gesture had a voguish run as an English picture convention long before it became Napoleon's quasi-military insignia, which makes the continuing French association somewhat hilarious.
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