To create (1) _________________ within a work, an artist may select values within only a limited range.
(2) ____________________ are darker, from middle grey to black, whereas (3) ________________ are mostly light, from white to middle grey.
One method of printing involves the use of a metal plate into which an image is cut, with ink then rubbed into the crevices. This method can produce strong value contrasts of light and dark. The name for this is (4) ____________________.
Unlike with (answer to 4), in (5) ___________________ prints, the printing ink covers the raised areas so that the carved areas are rendered in white.
The natural value of an object’s surface under uniform lighting is called its (6)________________.
Lights and darks (i.e. shadows) that create the appearance of depth are termed (7)____________ value.
Works that employ (8) ______________________ space generally ignore light sources and shadow, contributing to their overall absence of depth. Instead, value is used for other purposes, such as to create relative dominance, establish mood, and create spatial unity.
The (9) _______________ made use of this form of space by arranging their compositions into a series of flat planes, each taking on a characteristic (10)_________ while abstracting the subject.
The areas of light and dark that are strategically woven throughout a composition and serve as its basic foundation are referred to as the work’s (11) __________________. Before beginning a final image, artists may explore different alternatives for this framework by creating studies called (12) _________________.
The major contour of a three-dimensional object is referred to as its (13) _______________. This is most clearly seen when there is a strong contrast between it and its background.
In the nineteenth century, (14) ____________________ observed that multiple light sources tend to flatten object surfaces and neutralize the plastic qualities of objects, thereby minimizing gradations of value. This caused him to move away from traditional techniques and instead lay down colors in (15) _______ areas that met abruptly, rather than blend together.
