"That, and watch the fruit fall off their trees."
Loyd looked at me, surprised. "You know about that, do you?"
"Not very much," I said. I went into my house to get him a soda, picking my way over the rough bricks of the patio because I was barefoot. I will say this much for Doc Homer's career as a father: my arches are faultless.
When I came back out I sat down and handed over a Coke, letting Loyd fight with the easy-off twist cap himself. I had to use pliers on those things. It didn't give Loyd two seconds of trouble. He palmed it, then tipped his head back and drank about half the bottle. The things that aggravate me most in the world are the things men do without even knowing it.
"So is that your dog?" I asked.
"That's jack. You met? Jack, this lady here is Codi Noline."
"We've met," I said. "I sneaked him some goat spare ribs the other day at the fiesta. I hope he's not on a special diet or anything."
"He's in love, is what he is, if you gave him a piece of that goat. That was one of Angel Pilar's yearling billy goats. Jack's had his eye on those spare ribs ever since last summer."
Jack looked at me, panting seriously. His tongue was purplish, and his eyes were very dark brown and lively. Sometimes when you look into an animal's eyes you see nothing, no sign of connection, just the flat stare of a wild creature. But Jack's eyes spoke worlds. I liked him.
"He looks like a coyote," I said.
"He is. Half. I'll tell you the story of his life sometime."
"I can't wait," I said, really meaning it, though it came out sounding a little sarcastic. Our chairs were close enough together so that I could have reached over and squeezed Loyd's hand, but I didn't do that.
"It was nice of you to come by," I said.
"So this was your first week of school, right? How's life with the juvenile delinquents of Grace?"
I was a little bit flattered that he knew about my job. But then everybody would. "I don't know," I said. "Pretty scary, I think. I'll keep you posted."
I need help with Literal Language Analysis. Identifies as many examples of Literal Language: Detailed Action, Imagery, Dialogue, and Internal Monologue.