Toletino's review of 'Coco' does not simply stay within the confines of the film itself; she transitions into comparing the world of 'Coco' with her perception of twenty-first century reality of the US as viewed through the lens of her "ongoing erosion . . . in human good." What do you make of this? Is the comparison fair? Way off?
https://www.newyorker.com/culture/cultural-comment/coco-a-story-about-borders-and-love-is-a-definitive-movie-for-this-moment